Berg, New York, 2011. — 192 p. Language: English. Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples...
University of Minnesota Press, 1989. — 356 p. Translators'Introduction Beyond the movement-image Recapitulation of images and signs From recollection to dreams: third commentary on Bergson The crystals of time Peaks of present and sheets of past: fourth commentary on Bergson The powers of the false Thought and cinema Cinema, body and brain, thought The components of the image
NY: Lexington Books, 2017. — 242 p. — (The Philosophy of Popular Culture). — ISBN: 978-1-4985-1353-1. As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the...
NY, London, Oxford, New Delhi, Sydney: Bloomsbury Academic, 2019. — 341 p. — (Thinking Cinema. Vol. 8). — ISBN: 978-1-4411-1065-7. This groundbreaking volume for the Thinking Cinema series focuses on the extent to which contemporary cinema contributes to political and philosophical thinking about the future of Europe's core Enlightenment values. In light of the challenges of...
Bloomsbury Publishing, New York. 2014. — 248 p. Introduction: Giorgio Agamben and the Shape of Cinema to Come. Asbjørn Grønstad and Henrik Gustafsson. For an Ethics of the Cinema. Giorgio Agamben. Cinema and History: On Jean-Luc Godard. Giorgio Agamben. Silence, Gesture, Revelation: The Ethics and Aesthetics of Montage in Godard and Agamben. James S. Williams. Passion, Agamben...
New York: Palgrave Macmillan, 2015. — 200 p. — ISBN10: 1137361360; ISBN13: 978-1137361363. How does film affect the way we understand crises of the body and mind and how does it manifest other kinds of crises levelled at the spectator? This book offers vital scholarly analysis of the embodied nature of film viewing and the ways in which film deals with the question of loss, the...
New York: Palgrave, 2005. — 256 p. — ISBN10: 1403997950; ISBN13: 978-1403997951. This unique volume treats films as philosophy, rather than speaking of films only in relation to philosophy and subjugating the film in question to pre-existing theories. Bringing together essays from some of the leading scholars in the field, the book also features an interview with Stanley Cavell...
Lexington: University Press of Kentucky, 2009. — 240 p. — (Philosophy Of Popular Culture). — ISBN10: 0813192609; ISBN13: 978-0813192604. The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time...
The MIT Press, 2008. — x, 245 p. — (The Irving Singer Library). — ISBN: 978-0-262-19589-8. Mythic themes and philosophical probing in film as an art form, as seen in works of Preston Sturges, Jean Cocteau, Stanley Kubrick, and various other filmmakers. Film is the supreme medium for mythmaking. The gods and heroes of mythology are both larger than life and deeply human; they...
Oxford University Press, 2017. — 313 p. In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social...
New York, London: Routledge, 2016. — 532 p. — ISBN: 978-1-138-78951-7. This volume advances the contemporary debate on five central issues in the philosophy of film. These issues concern the relation between the art and technology of film, the nature of film realism, how narrative fiction films narrate, how we engage emotionally with films, and whether films can philosophize....
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