New York: Metropolitan Museum of Art. 2001. — 132 p. — ISBN: 1-58839-010-1 The nine papers collected in this publication — which comprises the third and latest addition to the symposium volumes inaugurated by The Metropolitan Museum of Art with Attila to Charlemagne — were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from...
New York: Metropolitan Museum of Art. 1998. — 362 p. — ISBN: 0-87099-877-3 The great Bruges painter Gerard David (ca. 1455–1523) has traditionally been regarded by eminent art historians as the last celebrated master of the Flemish tradition, although scholars have recently acknowledged his innovative spirit and pivotal position in the transitional period between Late Medieval...
New York: Metropolitan Museum of Art. 1994. — 246 p. — ISBN: 0-87099-694-0 This study is an important new account of the life and work of the Flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan van Eyck and other...
Arcturus Publishing, 2005. — 192 p. — ISBN: 978-0572031626. Barrington Barber is an author and a successful painter. His insightful commentary draws on the many letters exchanged between Vincent Van Gogh and his brother Theo, and brings to life Vincent's extraordinary pictures by enabling us to see them through an artist's eyes. Dedicated to one of Western art's greatest icons,...
New York: Metropolitan Museum of Art. 1985. — 66 p. The sequence of paintings on the history of the Roman consul Decius Mus, which has been one of the greatest glories of the Liechtenstein collection since its acquisition in 1693, occupies a significant position in the work of Peter Paul Rubens (Flemish, 1577–1640). In it the artist uses for the first time the cycle form — that...
National Gallery of Art, 2007. — 163 p. This teaching packet is a project of the National Gallery of Art, department of education publications. Writers Carla Brenner, Jennifer Riddell, and Barbara Moore extend sincere thanks to colleagues at the Gallery: curator of northern baroque paintings Arthur Wheelock, exhibition research assistants Jephta Dullaart and Ginny Treanor, and...
Delphi Classics, 2012. — 209 p. — (Masters of Art Book). — ASIN: B0075ZWNLW. This is the second volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. A first of its kind in digital print, the ‘Masters of Art’ series allows Kindle readers to explore the works of the world’s greatest artists in comprehensive detail. This volume...
Delphi Classic, 2012. Vincent Willem van Gogh Dutch (30 March 1853 – 29 July 1890) was a Dutch post-Impressionist painter whose work had far-reaching influence on 20th-century art. His output includes portraits, self portraits, landscapes, still lifes, olive trees and cypresses, wheat fields and sunflowers. Critics largely ignored his work until after his presumed suicide in...
Delphi Classics, 2012. — 2321 p. — (Masters of Art Book). — ASIN: B007H2UTG4. This is the third volume of a new series of publications by Delphi Classics, the best-selling publisher of classical works. A first of its kind in digital print, the ‘Masters of Art’ series allows Kindle readers to explore the works of the world’s greatest artists in comprehensive detail. This volume...
Alexandria, Virginia: Time-Life Books Inc., 1968. — 200 p. Pieter Bruegel was a Netherlandish Renaissance painter and printmaker from Brabant, known for his landscapesand peasant scenes. He is sometimes referred to as the "Peasant Bruege"
Studies on Art. - Getty Museum, 2007. - 92 p.:ill. "Pieter de Hooch: A Woman Preparing Bread and Butter for a Boy" is part of the Getty Museum Studies on Art series, designed to introduce individual artworks or small groups of related works to a broad public with an interest in the history of art. Each monograph is written by a leading scholar and features a close discussion of...
N.Y.: The Metropolitan Museum / Van Gogh Museum / Yale University, 2005. — 380 p. — ISBN: 030010720X. Colta Ives, Susan Alyson Stein, Sjraar van Heugten and Marije Vellekoop. Vincent van Gogh (1853-1890) believed that drawing was 'the root of everything'. A self-taught artist, he succeeded, between 1881 and 1890, in developing an inimitable graphic style. This book traces the...
National Gallery of Art, Washington D.C., January 1, 1999. — 163 p. ASIN: B0012M6EGO. The brilliant colors, explosive brushwork, and emotional intensity of Vincent van Gogh’s paintings make them some of the best-known images in art. Yet during his short lifetime (1853–1890), Van Gogh was never fully appreciated. This catalog presents 70 paintings from the collection of the Van...
Alexandria USA: Time Ink., 1977. — 200 p. Johannes, Jan or Johan Vermeer was a Dutch painter who specialized in domestic interior scenes of middle-classlife. Vermeer was a moderately successful provincial genre painter in his lifetime.
New York: The Metropolitan Museum of Art, 1984. — 50 p. — (The Metropolitan Museum of Art Bulletin v. 42, no. 3 (Winter, 1984–1985). The appeal of Anthony van Dyck has been remarkably unaffected by changes in taste. In the three hundred years since his death, nothing has essentially threatened his reputation as one of the most gifted of portrait painters. His graceful images of...
New York: Metropolitan Museum of Art, 2001. — 642 p. — ISBN: 0-87099-973-7. Seventeenth-century Delft has often been viewed as a quaint town whose artists painted scenes of domestic life. This important book revises that image, showing that the small but vibrant Dutch city produced a wide range of artworks, including luxurious tapestries and silver objects, as well as...
New York: Metropolitan Museum of Art, 2005. — 332 p. — ISBN: 9780300104943. [Rubens, Peter Paul] A magnificent selection of drawings by one of the greatest artists of the seventeenth century, for the Flemish artist Peter Paul Rubens (1577–1640), drawing was a fundamental activity. Ranging from delightful renderings of children and elegant portraits of noblemen and women to...
Mit zwanzig farbigen Tafeln und sechsundvierzig einfarbigen Abbildungen. — Berlin: Henschelverlag Kunst und Gesellschaft, DDR, 1973. — 70 s. — (Welt der Kunst) Als Vincent van Gogh , der Maler der "Sonnenblumen" und der "Boote am Meer", des "Postmeisters Roulin", der säenden und pflügenden Bauern und der leuchtenden Kornfelder, am 29 Juli des Jahres 1890 starb,war von seinen...
John Oliver Hand and Martha Wolff 1986. — 272 p. This volume contains entries for the collection of Netherlandish art from the 15th and 16th centuries at the National Gallery of Art. The small size of the Netherlands belied its cultural vitality, and the region produced a school of painting that was considered the equal of the Italian school. Early Netherlandish pictures have...
New Haven and London: Yale University Press, 2001. — 323 p. One of the greatest Netherlandish artists, Pieter Bruegel the Elder (1525/30–1569) is best known today for his paintings of peasant life. Yet is was above all through his exceptional graphic work that he achieved widespread fame during the sixteenth century. His drawings and prints made after his designs, while based...
New York: Metropolitan Museum of Art. 1984. — 273 p. — ISBN: 0-87099-376-3 Van Gogh in Arles documents the first major exhibition devoted to the fifteen-month period in 1888–1889 that the Post-Impressionist painter Vincent van Gogh worked in the ancient Provençal town of Arles in the South of France. His move from Paris to the Midi gave rise to bold experimentation in the use...
New York: Metropolitan Museum of Art. 1986. — 327 p. — ISBN: 0-87099-475-1 Van Gogh arrived in Saint-Remy in May 1889. There he voluntarily committed himself to an asylum, originally built as a monastery in the twelfth and thirteenth centuries. Initially, he depicted the interior environment, recreating for himself his room, a vestibule, the vaulted corridors of the old...
Amsterdam University Press, 2005. — 554 p. The so-called Flemish Primitives, a group of fifteenth-century painters from the southern Netherlands, acquired their name in the nineteenth century. Among them were world-famous artists such as Rogier van der Weyden, Hans Memling, the brothers Van Eyck, and Huge van der Goes. Their masterpieces, oil paintings minutely detailed in...
Delphi Classics, 2017. — 391 p. The Dutch artist Hieronymus Bosch is considered one of the most notable representatives of the Early Netherlandish painting school. His work is renowned for its fantastic imagery, ethereal landscapes, original religious concepts and, most famously, his macabre, nightmarish depictions of Hell. Though almost forgotten for centuries, today he is...
Delphi Classics, 2016. — 289 p. The greatest Flemish painter of the sixteenth century, Pieter Bruegel the Elder produced innovative landscapes and vigorous, witty scenes of peasant life. He exerted a strong influence on painting in the Low Countries and through his sons Jan and Pieter, he founded a dynasty of painters that survived into the eighteenth century. Delphi’s Masters...
New York: Metropolitan Museum of Art. 1988. — 158 p. — ISBN: 0-87099-510-3 This book described exhibition Hermitage Collection of Dutch and Flemish Artists seventeenth century in USA. Artist presented Rembrandt, Rubens, Borch, Hals,
The Metropolitan Museum of Art Bulletin, v. 65, no. 1 (Summer, 2007). — New York: The Metropolitan Museum of Art, 2007. — 74 p. The Metropolitan is home to the finest collection of Dutch art outside of Europe. This major exhibition, which coincides with the publication of the first catalogue of the collection, presents the Museum's entire collection of Dutch paintings (ca....
New York: Time Ink., 1969. — 200 p. Vincent Willem van Gogh was a Dutch post-Impressionist painter whose work had far-reaching influence on20th-century art. His output includes portraits, self portraits, landscapes, still lifes, olive trees and cypresses, wheat fields and sunflowers. His short life, expressive and spontaneous use of vivid colours, broad oil brushstrokes and...
New York: Time Inc., 1967. — 198 p. Sir Peter Paul Rubens was aFlemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
Québec: McGill-Queen’s University Press. 2007. — 409 p. — ISBN: 978-0-7735-3275-5 Jan van Noordt (1623 - 1681) created some of the most flamboyant and expressive paintings of the Dutch Golden Age, such as "Susanna and the Elders" and "Portrait of a Boy with a Falcon". Yet little was known about his life and the many misattributions of his works have hidden his significance....
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