Intellect, 2008. — 81 p. — ISSN 1750–8061. Editorial Introduction, or, What’s in an ‘s’? Chris Berry and Laikwan Pang Articles The ‘transnational’ as methodology: transnationalizing Chinese film studies through the example of The Love Parade and its Chinese remakes Yiman Wang Inhibition vs. exhibition: political censorship of Chinese and foreign cinemas in postwar Hong Kong...
La Poudrière. — 28 p. Chaque printemps, à l’occasion du festival d’Annecy, la Petite Lettre retrace en pointillé le quotidien de la Poudrière, école de réalisation de films d'animation : un parcours d’expériences nourries de rencontres artistiques, culturelles et humaines.
78 p. Films without Frontiers Owen Evans and Elaine Canning Articles Saving Robert de Niro: Jean Reno as Francophone all-American action hero Cristina Johnston Enabling collisions: Re-thinking multiculturalism through Fatih Akin’s Gegen die Wand/Head On Polona Petek Gendered discourses of nation(hood) and the West in Polish cinema Elzbieta Ostrowska and Joanna Rydzewska The...
Editorial Alka Kurian, Jyotsna Kapur and Aarti Wani Articles Nautanki and Hindi Cinema: Changing Representations Nandi Bhatia Between the Godfather and the Mafi a: Situating Right-Wing Interventions in the Bombay Film Industry (1992–2002) Nandana Bose Melbourne, Indian Popular Cinema and the Marketing of ‘An Enviable Cosmopolitan Lifestyle’ Andrew Hassam Looking for Love in All...
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