Read by Christopher Hurt.
Saul Bellow (1915, Lachine, Quebec, Canada - 2005, Brookline, Massachusetts, USA) is an American writer, winner of the Nobel Prize in Literature for 1976., prose writer, also known as an essayist and teacher.
For many years Von Humboldt Fleisher and Charles Citrine were the best of friends - Humboldt a grand erratic figure, Charlie a young man of frenzied and noble longings. But by the 1970s Humboldt has died a failure in New York, and Charlie's success-ridden life in Chicago has taken various turns for the worse. Then Humboldt acts from the grave to change Charlie's life. He has left Charlie something in his will.
Now Charlie is middle-aged and a bit shaky and it is high time that his life came to something. His days are cluttered with comic absurdities and his destiny seems obscured. Himself a thinker, he longs to come from left field and knock them all dead, to make intellectuals as clearly superfluous as they seem to him to be. But his ex-wife has him enmeshed in lawsuits; he is held in thrall by the young, sexually beguiling but expensive and unsuitable Renata; he has fallen into the hands of a neurotic Mafioso called Rinaldo Cantabile; and his career seems to have ground to a halt.
How the gentle but resilient Charlie comes to know what he must do and how he triumphs over his ever more ridiculous tribulations is the great discovery of Humboldt's Gift.
Odyssey of an American poet
As in Bellow's "Herzog" and "Seize the Day," the protagonist of "Humboldt's Gift" is a highly educated late-middle-aged man who's made a minor mess of his life but weathers the storm with any resources of which he can avail himself. Charlie Citrine, an Appleton, Wisconsin, native transplanted to Chicago, is an author and a briefly successful playwright who spends the novel reminiscing about his longtime friendship with the late poet Von Humboldt Fleisher, an eccentric genius and self-diagnosed manic depressive, and describing the people and events in his life that somehow seem to shape themselves around his relationship with Humboldt.
Humboldt once had a goal to raise the esteem of the poet's role in American society. In 1952 he believed an Adlai Stevenson presidency would allow the involvement of more intellectuals in government; when this hope crumbled, he sought and won an ephemeral poetry chair at Princeton, where he and Citrine concocted a strangely Sophoclean movie treatment about a doomed Arctic expedition and a man who became a cannibal. This was not the last of their show business aspirations; Citrine's play, "Von Trenck," based loosely on Humboldt's life and therefore vexatious to Humboldt, was a hit on the theater circuit and was made into a movie.
Citrine's dubious fortune attracts all kinds of problems with love and money. His ex-wife Denise is straining him over an uncomfortable divorce settlement; his new girlfriend, a much younger woman named Renata, takes advantage of him and leaves him stranded in Madrid to babysit her son. A simple poker night results in an undesirable association with a small-time gangster named Rinaldo Cantabile from which he can't seem to extricate himself.
Character creation is where Bellow really excels; he seeks the individual in every person he invents and never exploits stereotypes or resorts to caricatures for the sake of broad humor. Observe the swaggering confidence of Citrine's friend George Swiebel, an actor turned construction contractor; the smug demeanor of the dapper, cosmopolitan Thaxter, whom Citrine hires as an editor for a magazine yet (and probably never) to be published; the affectionate gruffness of Citrine's older brother Julius, a wealthy, sickly businessman who never shed his working-class sensibilities. These are people you'd be no more surprised to meet in reality than on the pages of a book.
A criticism against Bellow is that he has a tendency to sacrifice cohesive plots for the random portrayal of human hysteria, a collection of disparate people thrown together haphazardly. The problem is not that his novels lack believability; rather, they are often too believable, and sometimes I think they would benefit from just a little more artifice. In that regard, "Humboldt's Gift" strikes me as one of his better novels along with "Henderson the Rain King," built upon a substantial story that achieves a certain amount of closure because the protagonist is finally entrusted with a responsibility (the "gift") that, handled properly, could change his life for the better.