Translated by William James Hickie.
Webster’s Thesaurus Edition for PSAT, SAT, GRE, LSAT, GMAT, and AP English Test Preparation
Lysistrata is the greatest work by Aristophanes. This blank and rash
statement is made that it may be rejected. But first let it be understood that I do
not mean it is a better written work than the
Birds or the
Frogs, or that (to
descend to the scale of values that will be naturally imputed to me) it has any
more appeal to the collectors of "curious literature" than the
Ecclesiazusae or the
Thesmophoriazusae. On the mere grounds of taste I can see an at least equally good
case made out for the
Birds. That brightly plumaged fantasy has an aerial wit and
colour all its own. But there are certain works in which a man finds himself at an
angle of vision where there is an especially
felicitous union of the aesthetic and
emotional elements which constitute the basic qualities of his uniqueness. We
recognize these works as being welded into a strange unity, as having a
homogeneous texture of ecstasy over them that surpasses any aesthetic surface of
harmonic colour, though that harmony also is understood by the deeper welling
of imagery from the core of creative
exaltation. And I think that this occurs in
Lysistrata. The intellectual and spiritual tendrils of the poem are more truly
interwoven, the operation of their centres more nearly unified; and so the work
goes deeper into life. It is his greatest play because of this, because it holds an
intimate perfume of femininity and gives the finest sense of the charm of a
cluster of girls, the sweet sense of their chatter, and the contact of their
bodies,
that is to be found before Shakespeare, because that mocking
gaiety we call
Aristophanies
reaches here its most positive
acclamation of life,
vitalizing sex
with a deep delight, a rare happiness of the spirit.