Madison: University of Wisconsin Press, 2012. — 482 p. — ISBN: 978-0-299-28703-0.
Foreword: The Power of the Word and the Turn to Taboo - Caryl Emerson.
Note on Transliteration and Translation.
Introduction: Beyond Pushkin as Dogma - Alyssa Dinega Gillespie.
Taboos in Context.
Pushkin the Titular Councilor - Irina Reyfman.
Why Pushkin Did Not Become a Decembrist - Igor Nemirovsky.
Lighting the Green Lamp: Unpublished and Unknown Poems - Joe Peschio.
Pushkin and Metropolitan Philaret: Rethinking the Problem - Oleg Proskurin.
Taboo Writings.
If Only Pushkin Had Not Written This Filth: The Shade of Barkov and Philological Cover-ups - Igor Pilshchikov.
Bawdy and Soul: Pushkin’s Poetics of Obscenity - Alyssa Dinega Gillespie.
Resexing Literature: Tsar Nikita and His Forty Daughters - J. Douglas Clayton and Natalia Vesselova.
The Poetics of Dry Transgression in Pushkin’s Necro-Erotic Verse - Jonathan Brooks Platt.
The Blasphemies of The Gabrieliad - Andrew Kahn.
Politics and Poetry: The “Anti-Polish” Poems and “I built myself a monument not made by human hands” - Katya Hokanson.
Taboo Readings.
Taboo and the Family Romance in The Captain’s Daughter- David M. Bethea.
Through the Lens of Soviet Psychoanalysis and Utopian Dreams of the 1920s: Ivan Ermakov’s Readings of Pushkin’s Poetry - Alexandra Smith.
The Red Pushkin and the Writers’ Union in 1937: Prescription and Taboo - Carol Any.
Krzhizhanovsky’s Pushkin in the 1930s: The Cleopatra Myth from Femme Fatale to Roman Farce - Caryl Emerson.
Selected Bibliography.
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