New York: Palgrave MacMillan, 2002. — 270 p.
Series Editor's Foreword
AcknowledgmCl1ts
Illustrations
Appearance and Ideology: Creating Distinctions between Clerics and Lay Persons in Early Medieval Gaul
From Self-Sufficiency to Commerce: Structural and Artlfactual Evidence for Textile Manufacture m Eastern England in the Pre-Conquest Period
Dressmg the Part: DeplctlOns of Noble Costume in Irish High Crosses
Marie de France's Bisclavret: What the Werewolf Will and Will Not Wear
From Content to Form: Court Clothing in Mid-Twelfth-Century Northern French Sculpture
Fashion in French Crusade Literature: DesIring Infidel Textiles
"Christ as a Windblown Sleeve": The Ambiguity of Clothing as Sign in
Gottfned von StraBburg's Tristan
Addressing the Law: Costume as SignIfier in Medieval Legal Miniatures
From Battlefield to Court: The Invention of Fashion in the Fourteenth Century
Unraveling the Mystery of Jan van Eyck's Cloths of Honor: The Ghent Altarpiece
Marked Difference: Earrings and "The Other" in Fifteenth-Century Flemish Art
The Margaret Fitzgerald Tomb Effigy: A Late Medieval Headdress and Gown in St. Canice's Cathedral, Kilkenny
"As proud as a dog in a doublet": The Importance of Clothing in The Shoemaker's Holiday
Value-Added Stuffs and Shifts in Meaning: An Overview and Case Study of
Medieval Textile Paradigms