New York: Springer, 2016. — 308 p.
This edited monograph provides a compelling analysis of the interplay between neuroscience and aesthetics. The book broaches a wide spectrum of topics including, but not limited to, mathematics and creator algorithms, neurosciences of artistic creativity, paintings and dynamical systems as well as computational research for architecture. The international authorship is genuinely interdisciplinary and the target audience primarily comprises readers interested in transdisciplinary research between neuroscience and the broad field of aesthetics.
The Vestibular System and Artistic Painting: A Theoretical Framework for the Study of Multi-modal Interactions in Aesthetic Experience of Painting and Painting Viewing
Heuraesthesia: When Synaesthesia Fertilizes the Mind
Dyslexia, Education and Creativity, a Cross-Cultural Study
The Theatrical Stage Setting: A Tool for Neuropsychology and Cognitive Neuroscience
Aesthetic Impact of Anthropomorphic Figures in Art: The Case of Facial Expressions
How Art and Neuroscience Fell for Each Other
Spectating Myriam Gourfink’s Dances; Transdisciplinary Explorations
Interactive Experiences Shape the Perception of an Artistic Performance: Evidence from Eye Movements and Physiological Measures
Variations in Visual Exploration and Physiological Reactions During Art Perception When Children Visit the Museum with a Mobile Electronic Guide
Steps Towards the Art of Placing Science in the Acting Practice. A Performance-Neuroscience Perspective
Art, Mathematics, Pedagogy
Percepts & Parameters, a Prospective Approach of Architectural Materiality
Paintings as Complex Dynamic Systems
Time: Active or Passive
“The Experiencing Body”, for a Combination of Movements
An Introduction on Formal and Computational Models in Popular Music Analysis and Generation
The Evolution of Aesthetics: A Review of Models
Philosophical Aesthetics and Neuroaesthetics: A Common Future?