London: B.T.Batsford Ltd, 1919. — 196 p.
Throughout the ages the human form has been the chief inspiration of the artist, and proficiency in its representation an enviable distinction among this contemporaries. The earliest manifestations of the desire to record things seen were crude attempts to represent figures by outline, or in silhouette, scratched with sharp instruments, on cave interiors, animals' horns and teeth, or rudely carved in any handy material...
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