Life Library of Photography. The Print

Time-Life Books, 1975. — 246 p. — (Life Library of Photography)The Life Library of Photography series consists of 17 volumes. The books cover all the main aspects of photography: technology and equipment; shooting methods; film processing and photo printing; history of photography; photography as an art form.Good photographs are seen in the mind's eye before the shutter is tripped, but they are made in the darkroom. For it is in the final stage of photography — in the production of negative and print — that the creative vision is realized in a picture meant to be looked at, admired, perhaps honored.The technical skills demanded of the printmaker are simple. Modern chemical compounds, processing tanks and printing devices lend themselves to procedures that eliminate guesswork, but they do not eliminate the need for judgment and understanding. The pictorial result of a black-and-white photograph depends entirely on material substance: deposits of metallic silver in the negative and print. Those deposits must convey the vision of the mind's eye, and how they are laid down can be controlled and adjusted at almost every step during processing. It is possible to compensate for out-of-the-ordinary conditions during picture taking — too little light or too much, a scene that is too uniform in tone or too varied. But it is also possible to turn the influences of processing to purely imaginative ends, to alter a scene to suit the photographer's own esthetic intent (however far removed it is from the physical reality of the natural world), or to create a wholly new pattern of lights and darks that could never be found in reality.