London: Routledge, 2007. — 186 p. — ISBN10: 075466032X; ISBN13: 978-0754660323.
Addressing the essential question of the relationship between ethics and aesthetics in Deleuze's philosophy this book provides clear indications of the practical implications of Deleuze's approach to the arts through detailed analyses of the ethical dimension of artistic activity in literature, music, and film. Bogue examines Deleuze's "transverse way" of interrelating the ethical and the aesthetic, the transverse way being both a mode of thought and a practice of living. Among the issues examined are those of the relationship of music to literature, the political vocation of the arts, violence in popular music, the ethics and aesthetics of education, the use of music and sound in film, the role of the visual in literary invention, the function of the arts in cross cultural interactions, and the future of Deleuzian analysis as a means of forming an open, reciprocally self-constituting, transcultural global culture.
Introduction The Transverse Way: Du côté de chez Deleuze
Immanent Ethics
Minority, Territory, Music
Violence in Three Shades of Metal: Death, Doom and Black
Search, Swim and See: Deleuze’s Apprenticeship in Signs and Pedagogy of Images
Tragedy, Sight and Sound: The Birth of Godard’s Prénom Carmen from the Nietzschean Spirit of Music
Bergsonian Fabulation and the People to Come
Re-Viewing Deleuze’s Sacher-Masoch
Apology for Nomadology
Nomadism, Globalism and Cultural Studies
Nomadology’s Trial by Proxy