Malden, MA: Bloomsbury Academic, 2013 — 268 p. — ISBN10: 1472512103; ISBN13: 978-1472512109.
This title includes readings that work through tropes disclose the material inscription at the origins of literary texts. Focusing insistently on the practice of rhetorical reading, this book demonstrates how the self-undoing of tropological systems necessarily generates narratives which turn out to be allegories of their own conditions of (im)possibility. The volume also contains two essays on Paul de Man and literary theory, as well as an interview on the topic of 'Deconstruction at Yale'. These latter texts are explicitly about the 'place' of rhetoric and its importance for any critical reading worthy of the name. As Warminski demonstrates, such 'rhetorical reading' is a species of 'deconstructive reading' - in the full 'de Manian' sense - but one that, rather than harkening back to a past over and done with, would open the texts to a different future. Features: new readings of texts by Wordsworth, Keats, Descartes, Nietzsche, and Henry James; and essays and an interview on Paul de Man and 'Deconstruction at Yale'. It reflects on and exemplifies the pedagogical value of 'de Manian' rhetorical reading.
Walter Pater's Acoustic Space: The School of Giorgione', Dionysian Anders- streben and the Politics of SoundScape
Aesthetic Vampirism: The Concept of Irony in the Work of Walter Pater, Oscar Wilde and Vernon Lee
'Master of Irony': Henry James, Transatlantic Bildung and the Critique of Aestheticism
Irony's Turn: The Redress of Aestheticism in Katherine Mansfield's Notebooks and Stories
Sacrificing Aestheticism: The Dialectic of Modernity and the Ends of Beauty in D. H. Lawrence's
Aristocracies of Mourning: The Reconsecration of Aestheticism in Evelyn Waugh's Brideshead Revisited
Sublime Ironies: The Remainders of Romanticism in Samuel Beckett's
Inoperative IroniesJamesian Aestheticism and Postmodern Culture in Alan Hollinghurst's
The Aesthetic Afterlives of Mr W. P.: Reanimating Pater in Twenty- first-Century Fiction