London: Routledge, 1993 — 162 p. — ISBN10: 0415052025; ISBN13: 978-0415052023.
Theatre on Trial is the first full-length analysis of Samuel Beckett's later drama in the context of contemporary theatre. Audrey McMullan employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, voyeurism, gender and the ideology of stage and TV space. Her application of deconstruction and psychoanalytic feminism to Beckett's work will break new and exciting ground.
Mimicking mimesisPlay: Theatre on Trial
Catastrophe: The Body in Representation
What Where: Shades of Authority
Masquerades of selfThat Time: Between Frames
A Piece of Monologue: Beyond the Frame
This sex which is not oneNot I: Staging the Feminine — From Excess to Absence
Come and Go: A Pattern of Shades
Refiguring authorityFootfalls: Dreadfully Un
Rockaby: Those Arms at Last
Ohio Impromptu: Rites of Passage
Conclusion: Beckett and Performance — Back to the Future