Palgrave Macmillan, 2013. — 202 p.
Introduction: Narrating Sexuality, Sociality, and Cosmology in Medieval Texts
The Whore as Imago Dei: Being and Abjection in Hrotsvit’s Rewriting of Thais
Alan of Lille on the Little Bits that Make a Difference
Queer Hermeneutics and Redemption in the Cosmology of the Zohar
Born Under the Sign of Venus: Phantasmatic Desire and the Woman-Who-Never-Was in the Libro De Buen Amor
The Double Bind of Chivalric Sexuality in the Late-Medieval English Romance
Divine Orgasm and Self-Blazoning: The Fragmented Body of the Female Medieval Visionary
Cosmology, Sexuality, and Music in Robert Henryson’s “Orpheus and Eurydice”
Cresseid’s Dignity: Cosmology and Sexuality in Henryson’s “Testament”