Gustafsson Henrik, Grønstad Asbjørn (ed.) Cinema and Agamben. Ethics, Biopolitics and the Moving Image

Bloomsbury Publishing, New York. 2014. — 248 p.Introduction: Giorgio Agamben and the Shape of Cinema to Come.
Asbjørn Grønstad and Henrik Gustafsson.
For an Ethics of the Cinema.
Giorgio Agamben.
Cinema and History: On Jean-Luc Godard.
Giorgio Agamben.
Silence, Gesture, Revelation: The Ethics and Aesthetics of Montage in Godard and Agamben.
James S. Williams.
Passion, Agamben and the Gestures of Work.
Libby Saxton.
Gesture, Time, Movement: David Claerbout meets Giorgio.
Agamben on the Boulevard du Temple.
Janet Harbord.
Film-of-Life: Agamben’s Profanation of the Image.
Benjamin Noys.
Biopolitics of Gesture: Cinema and the Neurological Body.
Pasi Väliaho.
Propositions for a Gestural Cinema: On “Ciné-Trances” and Jean Rouch’s Ritual Documentaries.
João Mário Grilo.
Engaging Hand to Hand with the Moving Image: Serra, Viola and Grandrieux’s Radical Gestures.
Silvia Casini.
Counterfactual, Potential, Virtual: Toward a Philosophical Cinematics.
Garrett Stewart.
Montage and the Dark Margin of the Archive.
Trond Lundemo.
Remnants of Palestine, or, Archaeology after Auschwitz.
Henrik Gustafsson.
Notes on Contributors.